The first time I encountered this procedure was over a decade ago, at the studio of our Copy Editor Mike Scheibinger, who was using a Radial X-Amp to Reamp® vocals through a little green MXR Carbon Copy analog delay pedal. I’ve used the EXTC-Stereo to add a Boss Waza-Craft CE-2 to a dry Rhodes piano take, to add a Caitlinbread Talisman plate reverb to a lead vocal (one of my favorite plates), and to add stereo Strymon BigSky reverb to a drum bus, synth tracks and more. Integrating the EXTC-Stereo into this same setup removes the need for multiple individual components (direct boxes, separate reamping boxes, cables and power supplies, multiplied by two for stereo-it adds up fast) and makes things even more streamlined and easier to control. In that setup, I used individual (i.e., not integrated) required devices and returned the signals from the pedals into the instrument inputs on many of my pre-amps. I detailed my personal setup of pull-out pedal shelves, patch bays, reamping devices and stompboxes, and how I use them as the secret sauce in many of my mixes. In our July 2018 issue, I wrote an article with a corresponding video on the RECORDING YouTube page called Pedals in the Mix. It cannot, however, offer individual control of a pair of pedals operating in dual mono. Of course, the EXTC-Stereo can work with mono pedals and pedals with a mono input and stereo out. Setup is relatively straightforward- designate two outputs on your audio interface as sends from your DAW, and two inputs as returns, connect your pedals, and you should be good to roll. However, it adds a second FX loop, allowing two-pedal chains to be selected individually or in series with a pair of front located LED-equipped buttons. For comparison, the single-channel EXTC-SA functions the same as its Stereo partner, with similar controls. The final control on the EXTC-Stereo is a wet/dry blend knob. Once your connections are made, a pair of send and receive knobs allow you to fine-tune the levels going to and coming from your stompboxes there’s a phase switch here as well (not all pedals are wired in phase). The send is transformer isolated to eliminate ground loops and hum. A green LED-equipped push-button takes the pedal effect in and out of the chain. On the front, stereo 1/4″ TS ins and outs labeled SEND and RECV go to the ins and outs of your stompboxes. On the backside of the box we have balanced stereo XLR I/O, and an additional pair of stereo outputs on 1/4″ TRS. I don’t typically obsess about power supplies, but rather than the bulbous ‘wall-wart’ variety that usually eats up two spaces on most power strips, this one takes up only a single outlet space-nice! The EXTC-Stereo is an active device powered by the included Radial 15V power supply. There’s a thick rubber non-slip pad on the bottom. Like all Radial stage boxes, it uses a bookend-style design with a slight protective overhang above and below the front controls. Its form factor is the same as many other Radial devices, including the single channel EXTC-SA, and it can be racked with an optional kit. device made of 14-gauge steel and finished in a durable glossy orange baked enamel finish. The reamping box is a vital part of the process. The goal is pretty simple-convert the recorded signal to the correct Hi-Z load and volume level, so the amp or stompbox reacts properly and sounds good. There are many practical (the bass player can record direct no amp needed, no bleed produced) and creative (it sounds killer!) reasons for reamping. The sound coming out of the amp is (re-) recorded with mics-and this is reamping. Reamping allows an engineer to take any recording out there (most often electric bass guitar, followed by direct recorded electric guitars in general) and send it, usually bone-dry, back through a miked up instrument amplifier (think Ampeg 8×10 or a Marshall stack-i.e., loud). Why is this level thing important? For starters, making sure your stompboxes receive the proper type of input signal is crucial if you want them to sound great! All three models allow you to very effectively insert instrument-level stompbox pedals into balanced signal paths for use as audio effects in your mixes alongside your favorite rackmount processors and plugins. The EXTC-Stereo is a stereo stompbox reamper, following the 500 Series-format EXTC 500 reviewed in October 2011, and the standalone, direct box-style EXTC-SA. Radial designs and builds devices that you didn’t know you needed-until now! This month we look at the ins and outs of the new EXTC-Stereo. Want stereo stompboxes in your mix? You need this! Radial Engineering is very highly respected for its robust and quiet direct boxes and reamping devices (Radial owns the Reamp® brand). The following is written by Paul Vnuk Jr.
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